The Timeless Appeal of 1968's Nearly-Hits
Let's take a journey back to 1968, a year brimming with musical excellence. While some songs soared to the top of the charts, others, equally deserving, settled for the runner-up spot. In this article, I'll explore four such songs that, despite not reaching the pinnacle, have left an indelible mark on music history.
The Soulful Storytelling of The Box Tops
The Box Tops, with their charismatic frontman Alex Chilton, delivered a soulful masterpiece with 'Cry Like A Baby'. What makes this song particularly fascinating is its blend of R&B grit and psychedelic elements, courtesy of an electric sitar. In my opinion, this fusion showcases the band's versatility and their ability to experiment within the confines of their signature sound. Chilton's vocals, as always, are the star of the show, conveying raw emotion that resonates with listeners.
Richard Harris' Dramatic Venture
Richard Harris, known for his acting prowess, ventured into the music scene with 'MacArthur Park'. This song, penned by the brilliant Jimmy Webb, is a dramatic masterpiece with its varied musical movements. What many people don't realize is that the song's excessive range, which Harris pushes to the limit, was a deliberate choice to match the actor's theatrical background. While Harris's pop career was short-lived, this song remains a testament to his willingness to take risks and explore new artistic avenues.
Steppenwolf's Heavy Metal Legacy
Steppenwolf's 'Born To Be Wild' is a song that, quite literally, defined a genre. Originally written as a ballad, the band transformed it into a high-octane anthem. The phrase 'heavy metal thunder' has become iconic, but what's interesting is that the song itself is more of a blues-rock masterpiece. Personally, I think this highlights the fluidity of musical genres and how a single song can shape and define a new sound. The guitar work by Michael Monarch is exceptional, adding to the song's enduring appeal.
Mary Hopkin's Global Sensation
Mary Hopkin, discovered by The Beatles, captivated audiences with her rendition of 'Those Were The Days'. What stands out is how she imbued a Russian folk song with English lyrics, creating a global sensation. Her crystalline vocals, even at a young age, conveyed a world-weariness beyond her years. This song's success in nearly every country except the US is a testament to its universal appeal and the power of a talented vocalist to transcend cultural boundaries.
The Power of the 'Almost' Hits
These four songs, while not chart-toppers in 1968, have proven their longevity and cultural significance. They showcase the depth and diversity of music during that era and how a song's impact can extend far beyond its initial chart position. In my analysis, these 'almost' hits are a reminder that musical greatness is not solely defined by commercial success. They invite us to explore the rich tapestry of music history, uncovering hidden gems that continue to resonate with audiences decades later.
